Shon Hughes @Shon2000

When you’re expelled from school but your dad is the Principal.

Former NFL Star Marcellus Wiley Arrested in Florida on Domestic Battery Charge tmz.me/4fkUuVq

What Breaking Bad would look like without Skyler White

No cruise is safe

Man, I miss Stuart Scott.

Celebrating before wining fails

never seen in my life 😳💀

𝙊𝙠𝙞𝙠𝙞𝙤𝙡𝙖💮 @Burhss

5 days ago

Never in my life have I seen a snake being bullied 😭😂

921 2K 24K 3.5M 3K

7 Things I Would NEVER Do in Las Vegas (After 12 Years) Pt. 7

Bro is huge

Pitching grips ⚾️

An aggressive white man approached 3 well mannered college aged young men who owned a mobile detail business with a firearm. When the police arrived, the college kids received a warning for not having proper permits. The man received no reprimand at all.

Stephen A. Smith says where the hell the Los Angeles Lakers think they going with a bunch of white dudes: “SOMEBODY HAD TO SAY IT. SO I’m saying it. Your three TOP PLAYERS ARE WHITE DUDES. REALLY? This ain’t golf. This ain’t baseball. Hell, it ain’t even soccer. And we got a whole bunch of brothers ON TEAM USA. WHAT Y’ALL THINK THIS IS? IT’S BASKETBALL.” (Via @stephenasmith)

9 Ways to Destroy Girl's Egos INSTANTLY - Female Psychology Thread -

Simple way to wrap a burrito

Breaking: LeBron James will continue his NBA career for the 2026-27 season and has informed the Lakers that the franchise can move on without him because he will play elsewhere, his agent told @ShamsCharania.

Saying black parents are failures while wearing an ankle monitor is crazy work 🤣🤣🤣🤣

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

He wasn’t gonna get nowhere with those tools.

Gary Oldman's most underrated performance.