Andrew Rodz @593Rodz

THE MOST PRECISE SEEDANCE 2.0 STORYBOARD METHOD I'VE TESTED One performer. Live singing + choreography happening at the exact same time. No lip-sync drift, no expression breaking the movement. Most creators storyboard with plain notes and hope the model figures it out. The real precision comes from feeding Seedance 2.0 a structured, color-coded shot language instead of plain prompts. Here's the workflow 👇 1. Build the story concept — voice and body as one instrument 2. Draft a shot-by-shot storyboard (12 panels, wide → close → hero shot) 3. Layer in IPA to lock the singing/mouth shapes 4. Layer in FACS to lock micro-expressions under the vocal performance 5. Color-code every annotation — separate colors for body movement, camera motion, framing/composition, and lighting 6. Generate character + environment sheets in GPT Image 2 from that annotated board 7. Animate each panel in Seedance 2.0 Why this works: • Model stops confusing move the camera with move the body • Singing and choreography stay synced instead of fighting each other • Lighting framing notes don't get buried in character direction • Way fewer regenerations per shot Use cases: ⁃ Contemporary dance / performance art films ⁃ Music videos with live vocal capture ⁃ Character-driven short films ⁃ Choreography-heavy brand content ⁃ Experimental theater docs Not everything technically landed the way I planned. But separating direction by color mattered more than any single prompt trick.

Et voici l'animation de goku version agée ! #goku #dragonball

@Ytautomation6 Garden

Sueño n.º 355.

@ElPhoenixSeo es long o shorts? veo 5 videos en un día, no penalizar al ser long?

Nunca pense que iba a necesitar un remake de Dragon Ball Z, hasta que hicieron esta genialidad en Daima. La calidad de la imagen es increíble.

@wannercashcow VIDEO

@davvgarcia buen tweet, creo igual, a veces hasta el compararse lo que otros hacen le pone a uno a pensar, que no se puede, aunque mantengo el ritmo pero a la final también no es solo de estar plantado haciendo y haciendo, pero con un buen canal que genere para vivir se puede estar bien.

This looks absolutely phenomenal

Epik @EpikEpikson

4 weeks ago

Just saw the coolest Dragon Ball Android/Cell Saga arc fan animation ever man holy hell

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Someone used AI to create a live action version of the Dragon Ball World Martial Arts Tournament. Fan made AI films are going to worth billions.

@HPober Como lo hiciste? están muy bien

Yo, this is the kind of workspace I’ve always imagined 😌

@DineroIA @TopRellow Lo harás con 1 canal o varios, de nicho específico o general? también tengo la guía pero no lo he accionado.

How much money does a YouTube channel actually make in 2026. Most people assume YouTube creators are either broke or rich. The reality lives in 4 distinct income tiers, and the math works heavily in your favor once you understand which one you are playing at. Tier 1. AdSense only. A faceless channel costs roughly $1,300 a month to operate at daily uploads. AdSense pays $3 to $5 per 1,000 views in most niches, climbing as high as $40 per 1,000 in finance or business. A working channel pulling 1.5 to 2 million views a month earns somewhere between $5,000 and $10,000 in pure ad revenue, leaving you with $3,700 to $8,700 a month in actual profit per channel. The part most people get wrong. A 100K view video in a generic niche pays about $400. That is the math creators dream about hitting and consistently overestimate. Tier 2. AdSense plus sponsorships. Sponsorships pay $15 to $30 per 1,000 views, sometimes $50 or more in premium niches. A channel that lands one $2,000 brand deal a month effectively doubles its income overnight. Most operators wait far too long to start pitching. Brands will work with channels at 5,000 subscribers if you reach out directly. Starting sponsorships early is the single fastest way to multiply your earnings. Tier 3. AdSense plus sponsorships plus your own products. This is where the numbers get ridiculous. A $1,000 product converting at 0.1% of viewers earns $100,000 from a 100K view video. The same view count would have paid $400 in AdSense alone. Same audience, 250x the revenue. Communities, memberships, ebooks, and courses all work the same way. Any product that converts even half a percent of your audience rewrites the channel's economics completely. Six and seven figure creator businesses live in this tier. Tier 4. The portfolio play. One channel pulling $5,000 to $10,000 a month is a side income. Five channels stacked together pull $25,000 to $50,000 a month. Ten channels become a $50,000 to $100,000 a month operation, and the same AI stack runs all of them with the same operator effort. The endgame here is the exit. Faceless channels with consistent revenue, real systems, and brand IP sell for 3 to 10 times annual revenue. A $10,000 a month channel sells for $300,000 to $1.2M A portfolio of 5 channels at $30,000 combined sells for $1M to $3.6M, because the valuation multiple expands when you stack assets together. Private equity has spent over $4 billion buying creator channels in the last 5 years alone. The four tiers stack on top of each other. Build for all 4 tiers starting on day one.

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@DineroIA Te sigo para ver el progreso, mucha suerte!!!

Creo genuinamente que muchos millennials están llegando a la misma conclusión al mismo tiempo. Crecimos viendo cómo la tecnología mejoraba la vida cada año. Teléfonos móviles. iPods. Smartphones. Una app para todo. Sentíamos que el futuro llegaba justo frente a nosotros, y no podíamos esperar por lo que vendría después. Luego, en algún momento del camino, cambió. Todo se convirtió en una suscripción. Las redes sociales se volvieron algoritmos. Cada día parece otro evento que ocurre una sola vez en la vida. Las cosas que supuestamente iban a ahorrarnos tiempo terminaron exigiendo más de nuestra atención que nunca. Nos vendieron conveniencia. Lo que obtuvimos fue un mundo que se siente más rápido, más ruidoso, más caro y, de alguna manera, menos humano. Y por eso tantas personas que conozco sueñan ahora con una vida completamente diferente. No más tecnología. No más optimización. Solo un trabajo tranquilo, un teléfono plegable, un pueblo pequeño y un lugar donde la vida se sienta real otra vez.

@DavidNortes_ @josemirogar30 Me sorprende mucho los números de hotmart, vaya que si son buenos, esos números sacan solo los infoproductores, cuantos cursos o ebooks vendes al mes?

@seergioo_gil Entonces entiendo que así sea hecho con ia o no se puede mantener sin que se etiquete como ai slop?

@HPober POBER

@WaccoAG Creo que los que empiezan no deben buscar ser un super editor de efectos y transiciones, un curso básico para usar el software con las herramientas principales sirve, pero más importante es saber comunicar la idea.