Art on Tezos Friday Recap 🔔
→ TezCon 2026 returns to Seattle on July 11 with an open-mic program for art and action, featuring live performances, Voices of Iran, panel talks, DJ sets, artist presentations, and community jam sessions. 🌲🎙️
→ Projects by @ChiaraPassa1 and
A bit more information on the first piece published on the new @Automatdotart Research Lab.
Back in June I finished researching and writing an AI-assisted piece on hello world by @qubibien.
After weeks of gathering resources, going through all of them, building a structure, and writing my thoughts down, I think it's finally ready to share.
For those unfamiliar, hello world is the piece that started everything we know as qubibi's most iconic series like mimizu, leftovers, wiwizn and more.
I was lucky enough to co-collect this piece with one of my favorite collectors in the space and good friend, @thefunnyguysNFT, last November.
hello world is a work I believe more people should engage with and to truly appreciate its brilliance a bit of reading helps, especially if you're not familiar with qubibi's practice.
In the piece below, I try to explain why I think hello world is so interesting. It draws together ideas explored by generations of computer art pioneers, from algorithmic systems and computational motion to artificial life and software art. Yet somehow it still feels entirely its own, and strangely alive.
Read it here:
Automat.art/research/hello…
Thank you, Giannis ― for spending all this time with "hello world", first as a collector and then as a researcher. It means a lot.
For anyone curious what the work actually looks like: here's documentation footage from a recent private exhibition.
I’ve spent a lot of time with “hello world” by @qubibien over the past 8-9 months, first as a collector and then as a researcher.
The deeper I looked, the more I felt that “hello world” wasn’t just a beautiful generative artwork. It was a meeting point for decades of
After a very long wait, I can finally share a bit more about what I’ve been working on for the last 2 years.
What started almost as a joke during a gathering with a few friends 4 years ago has now become something real. 🧵
I’ve spent a lot of time with “hello world” by @qubibien over the past 8-9 months, first as a collector and then as a researcher.
The deeper I looked, the more I felt that “hello world” wasn’t just a beautiful generative artwork. It was a meeting point for decades of experimentation in computer art.
Really happy to finally share this with everyone.
Automat Research is live.
Long-form writing on the artists, movements, and works that define digital art.
First: qubibi, Hello World.
automat.art/research
Automat Research is live.
Long-form writing on the artists, movements, and works that define digital art.
First: qubibi, Hello World.
automat.art/research
It might not feel like it but imo the digital art & NFT space is positioned better than ever
On the art/artist side, we're seeing:
A clear rise in thoughtful, novel and well executed releases that celebrate the networked opportunities that blockchains uniquely provide — and
The way I see AUTOMAT is how can we rethink in 2026, what "collecting" is for us. Collecting art and gathering with passionates and learners.
I know we have seen this through DAOs and teams but maybe it's time for us to reconsider of how it should be.
I have been seeing @Greekdx & Mikes efforts & passion to put this together.
So, seeing more & more positive things coming up, looking forward to the new initiative👍
Digital art has spent decades shaping culture, technology, and visual language.
Yet much of its history remains fragmented, under-documented, and inaccessible.
We believe that should change.
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new collection:
Art Enjoyoors 🔥👉🏽 https://t.co/TyojcbhHhC
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PRSM🡆 https://t.co/PEcJciyME5
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🚀 Explore the collection on Opensea
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Artist and researcher;
𝘖𝘱𝘦𝘳𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘈𝘳𝘵
drawing alongside robotic systems since 2015;
Founder @studioscilicet
📅 @artbasel @vamuseum
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Pioneered artists on-chain royalties in 2017.
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