Culture Crypt is a reliable source for genre movie reviews and pop culture, focusing on indie horror film entertainment. Email: culturecrypt @ gmailculturecrypt.com Los Angeles, CAJoined February 2013
BACKROOMS can drag into monotony, but that might be because it’s meant to reflect a working-class nightmare. Movie Review: culturecrypt.com/movie-reviews/…
There’s been a little lull in new horror to cover, so today I’m going back to the anthology SATANIC HISPANICS. Movie Review: culturecrypt.com/movie-reviews/…
From conception through release, it doesn’t seem like PASSENGER had any intention of being anything other than average. Movie Review: culturecrypt.com/movie-reviews/…
There’s a lot to like about Curry Barker’s OBSESSION, particularly Inde Navarrette’s incredible performance. Movie Review: culturecrypt.com/movie-reviews/…
Despite a couple of assumptive claims to the contrary, killer hippo thriller HUNGRY is not actually based on the classic Hasbro board game. Movie Review: culturecrypt.com/movie-reviews/…
Maggie Gyllenhaal’s THE BRIDE with Jessie Buckley and Christian Bale is an exercise in extremes in more ways than one. Movie Review: culturecrypt.com/movie-reviews/…
Renny Harlin’s DEEP WATER features jaw-breaking mouthfuls of predictable plot beats pulled from every other shark movie in existence. Review: culturecrypt.com/movie-reviews/…
Markiplier’s IRON LUNG looks a lot like a budget episode of the 1990s Outer Limits reboot, not a chilling sci-fi/horror epic. Movie Review: culturecrypt.com/movie-reviews/…
MORTAL KOMBAT II is either spectacular or silly depending upon how much cheese someone wants melting all over their bloody burger. Movie Review: culturecrypt.com/movie-reviews/…
HOKUM with Adam Scott evolves into a self-contained creeper that’s further cementing filmmaker Damian McCarthy as a master of effective, artistic, and unsettling eeriness. Movie Review: culturecrypt.com/movie-reviews/…
For fans of cool curiosities like WNUF HALLOWEEN SPECIAL, BUFFET INFINITY offers a can’t-miss trip through after-hours TV and amusing extraterrestrial terror that an ordinary movie wouldn’t dare dabble in. Review: culturecrypt.com/movie-reviews/…
Like the 1978 original, viewers of 2026’s FACES OF DEATH feat. Dacre Montgomery may ask if the movie is real or fake, but this time the question has to do with context, not content. Review: culturecrypt.com/movie-reviews/…
SELF-HELP is a lowkey thriller slowly burning a warm wick of horror within the soft wax of character-focused drama. Movie Review: culturecrypt.com/movie-reviews/…
Incredibly, EXIT 8 is far more immersive, meaningful, and memorable than the dull, repetitive, and frustrating video game it’s based on. Movie Review: culturecrypt.com/movie-reviews/…
THEY WILL KILL YOU feels less like a movie and more like a demo reel for the director and cinematographer to stage stunts. Review: culturecrypt.com/movie-reviews/…
The mockbuster masters at The Asylum make a WWE fighting fantasy out of a sixth grader’s history textbook with IMMORTAL COMBAT. Movie Review: culturecrypt.com/movie-reviews/…
Which came first, Image Comics and James Tynion’s Exquisite Corpses comic or the Samara Weaving-starring READY OR NOT 2: HERE I COME? Movie Review: culturecrypt.com/movie-reviews/…
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