𝓒𝓮𝔃𝓪𝓻 𝓜𝓸𝓬𝓪𝓷 @DrawingMoving
NPC whisperer 🎈 https://t.co/6Ctr1K0VeY linktr.ee/cezarmocan Lisbon Joined February 2021-
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Top floor of the Art Factory: SYSTEMS presented by Arab Bank Switzerland @arabbankch. 🖼️ A curated exhibition of artists who work with systems : Kim Asendorf @kimasendorf Viktoria Binschtok Jack Butcher @jackbutcher Linda Dounia @LindaDouniaR Andreas Gysin @andreasgysin Larva Labs @larvalabs Cezar Mocan @CezarMocan Operator @operator_______ Helena Sarin @NeuralBricolage Paul Seidler @brachlandberlin Plus the three ABS Digital Art Prize 2026 finalists: Gretchen Andrew @gretchenandrew Jonas Lund @jonas_lund Theo Triantafyllidis Curated by @NinaRoehrs // NFC Summit 2026
Q: “Where does your art happen?” A: “In the desire for what could be there but isn’t.” Cezar Mocan (@DrawingMoving) takes the SYSTEMS Artist Survey.
La exposición “End of Signal” de Cezar Mocan explora cómo satélites, datos e inteligencia artificial construyen realidades, cuestionando la objetividad tecnológica y reivindicando una necesaria duda crítica. buff.ly/1dbE496
End of Signal-Cezar Mocan exhibition at SOLO CSV at @coevalmagazine
Onkaos presents End of Signal, a new exhibition by Cezar Mocan, winner of the SOLO AI’25 Award. Combining satellite imagery, remote sensing technologies and real-time simulations, the exhibition examines contemporary systems of observation and the technologies that shape how we perceive the world. 📍 SOLO CSV, Madrid 🗓️ Open until November
How do contemporary art practices engage with the systems, processes, and protocols that shape what is made, seen, and valued today? Inside the “Systems in Practice” panel on the Main Stage of @NFCsummit.
Arab Bank Switzerland presents a thematic exhibition SYSTEMS, held in conjunction with the 2026 ABS Digital Art Prize. On view during @NFCsummit, June 4-6, 2026, Fábrica de Moagem, Unicorn Factory, Lisbon
SYSTEMS Artists: Gretchen Andrew (@gretchenandrew), Kim Asendorf (@kimasendorf), Jack Butcher (VV – Visualize Value) (@jackbutcher), Viktoria Binschtok, Linda Dounia (@LindaDouniaR), Andreas Gysin (@andreasgysin) and Sidi Vanetti, Larva Labs (@larvalabs), Jonas Lund (@jonas_lund), Cezar Mocan (@CezarMocan), Operator (@operator_______ ), Helena Sarin (@NeuralBricolage), Paul Seidler (@brachlandberlin), Snowfro (@ArtOnBlockchain), Theo Triantafyllidis
‘End of Signal’, the exhibition of @DrawingMoving, winner of the SOLO AI ‘25 AWARD, opens at SOLO CSV on 11 June. Through satellite imaging, speculative narration and machine perception, the project explores contemporary regimes of observation and the unstable relationship between data, truth, uncertainty and lived experience.
"Cezar Mocan’s Non-Playable Worlds" @guymyguymyguy interviews @DrawingMoving Published by @arabbankCH "End of Signal is a new extended project I’m working on about a satellite that becomes an unreliable narrator of on-the-ground reality. One piece within the project—what I’m working on at the moment—is my first digital simulation that isn’t built in a game engine but rather through an AI model, a fine-tuned diffusion model. I’d been looking at phantom islands, places from the history of cartography that were discovered and then had to be undiscovered, because they didn’t actually exist, but persisted on maps for decades or centuries before being removed. They felt like highly relevant precedents for the unreliable satellite." ↓ Link to the full interview
For the first time, the Digital Art Prize unfolds as a thematic exhibition format — bringing works from the ABS collection into dialogue with the three finalists of the prize. Artists presented in this year’s SYSTEMS exhibition include Kim Asendorf (@kimasendorf), Viktoria Binschtok, Jack Butcher (@jackbutcher), Linda Dounia (@LindaDouniaR), Andreas Gysin (@andreasgysin), Larva Labs (@larvalabs), Cezar Mocan (@CezarMocan), Operator (@operator_______ ), Helena Sarin (@NeuralBricolage), and Paul Seidler (@brachlandberlin).
Worldbuilding as a sensing system: a satellite network that starts to lose its authority. A short interview with Cezar Mocan @DrawingMoving on his work "A Field Guide to Orbital Melancholy, 2026" Interview notes ↓
Currently at @office_impart: "drifts;" brings together @DrawingMoving - winner of the ABS Digital Art Prize 2025 (Emerging Artist) - alongside @yoshi_sodeoka and @yehwanyensong in an exhibition that treats reality not as a fixed ground, but as a shifting constellation of infrastructures, codes, sensations, and temporalities. Technological systems intersect with biological flows, social relations, and lived experience, forming dense layers that continually reshape how the world is perceived. 🔄 📸 👇 "drifts;", installation views.
“A Field Guide to Orbital Melancholy” — @DrawingMoving — new digital simulation, premiering in drifts;. It follows a distributed satellite system trying to account for the disappearance of a toxic lake—producing overlapping, conflicting versions of what it observes. drifts; · 22.01–06.03.2026 · Wed–Fri 3–6 · @office_impart
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very grateful to have a thinker like @aldmilne writing at @lerandomart about one of my favorite topics: world building with novel applications of AI and blockchain in art
exactly 10 years ago i used my custom softbody physics system in unity to make a digital valentines day card for a girlfriend and she got really mad at me and she was like "youre just using it as an excuse to work on your custom softbody physics system"
Le Random Timeline x 2025 by Peter Bauman @monkantony_tez Read here➡️ timeline.lerandom.art/#/2025⬅️ Mentions: @ToledoMuseum @artmetaofficial @SNOWCASH432 @cryptopunksnfts @MovingImageNYC @kw_berlin @PioneerWorks_ @NeurIPSConf @CVPR @dribnet @yaoeo @DrawingMoving @dmstfctn @WendiYan5 @eyecheng @Sinofuturism @luyangasia @keke_terminal @juliaxgulia @sougwen @HitoSteyerl @rhizome @NewMuseum
Iridescence @nguyenwahed London January 2026
Shipping, 2016 hek.ch 🪚
"Digital art doesn’t need to become painting. It needs new protocols.” 🎙️ In a new episode of Unlocked podcast, we welcome @aval0vara, curator & researcher at @onkaos__ @coleccion_solo. We discussed the pressure of platforms and algorithms, the art of exhibiting code-based works in physical spaces, and why time, context, and care matter just as much as technology. If you care about where digital art is actually heading, beyond tools and hype, this episode is essential. 🎧 Listen to the full episode at 100collectors.art/podcast/buildi…
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