Frank D Kempi @FDek01

3/3 Session 5 – Experience Economy → The future belongs to experiences rooted in culture and place. The most compelling immersive projects grow from local communities, integrate architecture with storytelling, and show that bold experimentation is becoming a cultural and economic driver. It was so great to be at The Atlas of Digital Art in Milan, such a rich platform for exchanging ideas on the future of digital culture.

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2/3 Session 3 – The Dramaturgy of Telepresence → Telepresence is more than remote communication. It creates emotional presence, merges distant spaces into one shared environment, and expands how bodies, symbols, and human interaction can exist across locations. Session 4 – Global Immersive Wellness → Immersive experiences can become tools for wellbeing. By combining movement, sound, breathing, and space, they transform the relationship between body, mind, and technology while bridging Eastern and Western approaches to wellness.

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1/3 A recap of two inspiring days at The Atlas of Digital Art at @meetcenter in Milan. Session 1 – Museums & Art in the Digital Age → Digital isn't an add-on but a vision. Museums become participatory spaces where archives turn into living creative material, visitors become co-creators, and immersive media extends culture beyond physical walls. Session 2 – International Ecosystems → Innovation grows through collaboration. The strongest ecosystems bring together different disciplines, treat cities as exhibition spaces, and build international partnerships that rethink how digital culture is funded and shared.

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THE DAM SHOW: 100 COLLECTORS (ELEONORA, FANNY & PAULINE), BRYAN BRINKMAN, TREVOR PAGLEN & ELI SCHEINMAN! x.com/i/broadcasts/1…

This presentation is a must-watch for both collectors and artists to get a closer look at how Matt and John approached creating the best generative character collection, incorporating everything they learned from creating Punks and their prior long career in game and app design.

Meebits @MeebitsNFTs

a month ago

Matt Hall and John Watkinson of @larvalabs present Meebits Origins: a look inside the multi-year creative process that brought Meebits to life. Recorded in NYC on May 2, 2026.

11 18 89 13K 20

x.com/i/article/2051…

Same artist. same vision. one sells for millions. but the NFT sells for $37.

Instead of watching Netflix tonight. Spend a day mastering Claude here: claude101.com → Level 1 - 24 min: The basics. Claude For Dummies: ruben.substack.com/p/claude-for-d… Claude Setup: how-to-claude.ai → Level 2 - 1 hour: Real workflows. Claude Cowork: claude-co.work Claude for teams: how-claude.team Claude Design: claudedesign.free Cowork + Projects: ruben.substack.com/p/claude-cowor… Claude for slides: how-to-gamma.ai Claude Skills: claude-skills.free → Level 3 - 3.5 hours: The pro moves. Avoid sycophancy: ruben.substack.com/p/i-love-to-be… Claude Code: claudecode.free Claude 101: anthropic.skilljar.com/claude-101 Stop hitting Claude limits: ruben.substack.com/p/how-to-stop-… Stop Prompting: ruben.substack.com/p/stop-prompti… → Level 4 - 8 hours: Expert mode. Claude Computer: ruben.substack.com/p/claude-compu… Build with Claude API: anthropic.skilljar.com/claude-with-th… Pro tip: Don't binge it. Do one level per sitting. Actually apply each guide before moving to the next

Ruben Hassid @rubenhassid

2 months ago

x.com/i/article/2045…

24 132 818 2.3M 2K

x.com/i/article/2028…

open.substack.com/pub/dgt10011/p…

Philippe Bettinelli & Marcella Lista from @centrepompidou explore the crucial role of curation. Artist and writer Ana Viktoria Dzinic discusses trends and digital cultural production while @gmoneyNFT reflects on his early investments in NFTs and what attracted him to CryptoPunks as premiere digital property assets.

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10,000 CryptoPunks. One physical space. Walk with us for an immersive, in-depth exploration of @nodefnd with Larva Labs co-founders Matt and John. (0:01) Introduction to CryptoPunks (0:30) The CryptoPunk smart contract code (1:43) Receipt printers (2:18) The Infinite ETH node (2:55) Timeline of Punks market activity (4:01) Punk activity columns (4:23) "The Node" room (4:57) OpenSea's Punk (6:19) Visualizing the full 10,000 collection (6:42) Trait exploration console (7:44) The "Trait Wall"

Something special is coming to @cryptopunks brunch in Palo Alto... The “Punks Minifigure Lab” by @generativegoods and @ArtOnBlockchain will be featured as part of the experience. Find your Punk. Customize it. Take it home. See you there!

An appreciation post. To anyone that has ever collected a work from any of the artists and platforms exhibiting at @ArtBasel: you have played a massive role in this journey, and you were there in spirit with us all week long. Taking a step back from the recent heroic efforts of the galleries, artists, patrons, and sponsors, not to mention Benny, Eli, and countless others whose unwavering determination and support for our flavor of contemporary art have led to where we are, it’s important to acknowledge that absolutely none of this would be what it is today without the initial participation of the web3 community. Whether you came here for the art, the tech, the money, the camaraderie, or purely by accident, you made this possible by contributing an intrinsic value in the form of validation to what has become a meaningfully accepted recording format for contemporary culture. At the end of the day, the common denominator of the week for these artworks is the recording format, with the variety of work presented at the fair ranging extensively from animated robot dogs to fine art prints, from thoughtful AI driven dialogue to meticulously hand crafted code. The recording format is what ties it all together. Because it’s fucking awesome. Contemporary art, art of the times, art created with the tools and processes available to artists in that moment, inspired by the moment, shared across continents in real time. The way the galleries and platforms came together to present these exceptional artists’ works is remarkable. It’s encouraging to see how all three communities (artists, collectors and platforms/galleries) came together to make this an undeniably interesting part of Art Basel this year. I think that’s one of the things that no matter what’s happening in the market I believe what we are all doing is interesting. I truly believe what we are doing is interesting to a broader not just art world but society at large. I believe what we are doing is capable of not just introducing art and artistic culture to a larger percentage of humans, but making it compelling enough to want to participate in the movement long term. There’s something for everyone here, at every price point. And it’s all held together, reinforced, authenticated and made more durable by this beautiful technology we have collectively spent the last almost decade exploring. As someone continuously caught up in the tumultuous timeline and weighed down by the loudest voices expressing negative sentiment, it has never been easier for me to zoom out as it was this week. I encourage you to do the same. I created Art Blocks in defiance of an art world that often overlooked mine and my heroes’ passion for the generative medium. I value my web3 native experiences and achievements over the last five years as priceless. And at the same time I value this incredible opportunity to have dialogue with a new audience. Because in the end I truly believe that the single greatest way I can contribute to this community of artists, collectors and founders is to demonstrate that what we do is compelling to a broader audience. This is the rock in LIFT. Art Basel Miami served this ambition more effectively than my collective efforts over the last few years. And I’m incredibly grateful for that opportunity. I want to extend my personal gratitude for each and every one of the galleries and exhibitors that played a part in this. It was hard work. It was expensive. It was time consuming. It was a lot of standing, talking, negotiating and preparing. I am beyond proud of us. Everyone, and I mean EVERYONE, stepped up big time. The quality of the entire experience was on par with the best art fair experiences I’ve had in the past. In a recent post I shared that we need to evaluate our progress in years and decades not days and weeks. This entire thing is a testament to YEARS of commitment to the medium of digital art, to the technology of NFTs, learning from every mistake, writing the playbook in real time, and doing it with passion and conviction every step of the way. The art fair does not define who we are. But it has given us an opportunity to give a glimpse into the beauty of our culture to a new audience. It’s something to celebrate. From the bottom of my heart I want to thank the organizations that not just brought this experience to life but participated in lock step, supporting one another on this journey. @AOTMgallery @artblocks_io @artxcode_io @beeple @bitforms @AspreyStudio @eli_schein @fellowshiptrust @heft_gallery @onkaos__ @opensea @PaceGallery @nguyenwahed @redbeardnft @shape @UBS @verse_works / @solos_gallery @visualizevalue (@jackbutcher and @jalilwahdat) Along with all of the incredible artists represented: @Andrea_Chiampo @beeple @dmitricherniak @ix_shells @jackbutcher James Turrell @joepease @kimasendorf @larvalabs Lu Yang @manfredemohr @mayaonthenet @mpkoz @quasimondo @REAS @tylerxhobbs @XCOPYART @yatreda RE: Quine and Art Blocks' participation, I’m just so proud. Somewhere in the middle of the gallery and platform role, without trying to fit inside a preconceived notion of what art should be, I found myself having some of the most valuable conversations I’ve ever had with strangers from all over the world. Couldn’t have done it without the beautiful work of @matthall2000 and @pents90, the incredible support from @NaughtalieStone, the human presence at the booth of @iam0xHouston, @jeffgdavis, @roxyfata, @MVP44USC, @DeFiStaker, the exquisite booth design and execution of the @trameparis team, a ton of prep and support from the Art Blocks team, and the emotional support of community members and collectors that fed us with constant encouragement while we skipped meals to engage with the crowds. Every Quine was on display at Basel. Every Quine collector was represented on the beautiful vitrine for everyone to see. Every print a story of a collector that’s vehemently supported Art Blocks, Larva Labs, me personally and countless other platforms and artists across the ecosystem. Every artist that has ever graced Art Blocks with your work. You were there, with all of us. And you looked damn good too. I hope we made you as proud as I was to be there. I’m filled with anticipation for what comes next. Thank you.

Just collected “BUIDL(ING) PATIENCE” by @ix_shells from @6529Collections . Love how this piece captures the slow grind of building in the open metaverse for over 7 minutes… This is not a meme - this is an artwork. And at the same time Ix Shells is now showing with @fellowshiptrust at @ArtBasel Miami Beach 2025 in the new Zero 10 digital art section.

What if creativity could exist on its own terms? For centuries, artists have shaped the world with their tools. Now the tools are beginning to create on their own. In this episode of the Ledger Podcast, @Mo_RELS speaks with @genekogan and @seth, two pioneers reimagining the boundaries of art and intelligence. Their work gave birth to @abraham_ai_, an autonomous artist capable of learning, reflecting, and evolving, and to @eden_art_, a world built for creative AI beings. This conversation comes to life at #LedgerOp3n, where we’ll be showcasing Abraham’s First Works, an exclusive installation of 2,500 genesis pieces from one of the first autonomous AI artists. Presented in collaboration with @automataisart, it’s a glimpse into a future where creativity itself becomes alive, unfolding on the dancefloor at the Op3n afterparty alongside a lineup of sound, movement, and emotion.

Excited to announce the launch of 'Zero 10' a new global, multi-year initiative for art of the digital era at Art Basel. We're kicking this off at Art Basel Miami Beach Dec 3-7. 10,000 sq ft of exhibition space on the main show floor. Not upstairs, not offsite. This will be central to the Miami Beach fair experience and its 100,000 attendees and 10,000 onsite collectors. New work from: @AOTMgallery: Dmitri Cherniak @artblocks_io: Larva Labs @AspreyStudio: Yatreda, Andrea Chiampo @beeple: Beeple @bitforms: Maya Man, Casey Reas, Manfred Mohr @fellowshiptrust: Ix Shells @heft_gallery: Mpkoz @nguyenwahed: Joe Pease, Kim Asendorf, XCOPY @onkaos__: Mario Klingemann @PaceGallery: James Turrell @solos_gallery: Tyler Hobbs @visualizevalue: Jack Butcher

Gm No one said this would be easy The harder the path to success the more fulfilling the outcome But being stressed and emotional is a real thing Take it one step at a time and remember everyone is going through the same thing Be there for each other This is how we build

Over the last few weeks I have travelled the globe spending quality time with the humans in our digital art community. One thing I noticed is that we all share the same struggles, worries, and concerns but we also feel the same passion, love and conviction. This new series we created shows the human side of our great ecosystem. Along with my friend and director of the series @dave_krugman, we want the world to see the storytellers building our community; not for the price of their art but for their spirit and essence. This pilot episode features Erick (@artonblockchain) Together we explore Erick’s love for art, his deep connection to Marfa and how he made it a home for his family and @artblocks_io Joined by friends @toadswiback and @glitchmarfa Thank you to @vslav_eth for helping produce this project. He is a true patron of the community and tremendous builder. And finally to our producer @riasuth, for being the glue that makes this magical thing possible. We hope you all enjoy and come back for more soon. The more interest we can show the more we can make, so please give this a share. This is How We Build

@Parafinas1 Can you please DM me? Thanks, Frank