Jordan Cronk 🥀 @JordanCronk
In the poem zone. ~ #CloudLife patreon.com/jordancronk Los Angeles Joined October 2009-
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Freedy Johnston’s “Bad Reputation” in KICKING AND SCREAMING (1995).
What’s the greatest song to play as a movie ends?
Coming in July: three screenings—including one in 35mm—of one of my favorite films of the year. Plus: the return of THE PLAGIARISTS. Director James N. Kienitz Wilkins (+ other select cast and crew) in person throughout. ✨
Announcing! 📣 Acropolis welcomes James N. Kienitz Wilkins for 3 screenings of his new feature THE MISCONCEIVED—once on 35mm, on 7/9 @BRAINDEADLA, and twice digitally, on 7/10 & 11 at Now Instant—as well as a matinee of THE PLAGIARISTS on 7/11 @2220Arts! acropoliscinema.com
I just saw Disclosure Day and I kid you not, this movie opens with Brian Cage vs Lance Archer
Named one of the Best Experimental Films of the 2000s by @FilmComment, Travis Wilkerson's landmark 2001 feature AN INJURY TO ONE returns next Saturday, June 20 @2220Arts in a new 4K reconstruction! ✨ 🎟️: link.dice.fm/o86a0273f2b7
From the director of DID YOU WONDER WHO FIRED THE GUN? Join us one week from today for a sneak preview of Travis Wilkerson’s new feature AN INJURY TO ALL, presented as a multi-channel experience w/ live narration! Q&A moderated by Courtney Stephens. 🎟️: link.dice.fm/D40ed7420a22
Yes.
Announcing! 📣 Escape directed by Masao Adachi Japan, 2025, 110 min Join us 6/30 for the LA premiere of the new film by master Japanese director Masao Adachi (AKA SERIAL KILLER)! Co-presented by Yanai Initiative for Globalizing Japanese Humanities. 🎟️: link.dice.fm/zdad40198d63
Thrilled to have Travis Wilkerson back in Los Angeles next month for two very special screenings, including the world premiere of his latest feature AN INJURY TO ALL, which he’ll be presenting in a multi-channel version with live narration à la DID YOU WONDER WHO FIRED THE GUN?⚡️
Announcing! 📣 On June 18, we welcome Travis Wilkerson for a preview of his latest feature AN INJURY TO ALL, presented as a live documentary! Then, on 6/20, the 4K reconstruction of 2001's AN INJURY TO ONE, featuring new scans, texts, and animations! 🎟: acropoliscinema.com
@Festival_Cannes @KMcCabie @devikagirgayi @812filmreviews @AsiaSocietyNY @FerideMercury For the fifth Podcast from the Croisette, Film Comment Editor @devikagirgayi is joined by critics (and programmers) @JordanCronk, @adam_piron, and Ruun Nuur to dive into some mid-festival highlights.
#Cannes2026 favorites cont. • La libertad doble (Lisandro Alonso) • Merci d'être venu (Alain Cavalier) • Paper Tiger (James Gray) • Les roches rouge (Bruno Dumont) • Soudain (All of a Sudden) (Ryusuke Hamaguchi)
#Cannes2026 favorites: • The Dreamed Adventure (Valeska Grisebach) • Everytime (Sandra Wollner) • L'Inconnue (Arthur Harari) • Le Journal d'une femme de chambre (Radu Jude) • The Joyless Economy (Marjorie Conrad)
I regret to remind everyone that there’s still a Lukas Dhont film to see.
Worth the $4 ngl
Our latest podcast is a Patreon exclusive. Blake Williams, Mark Peranson, Öykü Sofuoğlu, Flavia Dima, Keva York, and Jordan Cronk discuss: LA LIBERTAD DOBLE GENTLE MONSTER PAPER TIGER PROPELLER ONE-WAY NIGHT COACH JOHN LENNON: THE LAST INTERVIEW patreon.com/posts/158625012
New Podcast! Our second Cannes Roundtable is live. In this one, Blake Williams, Savina Petkova, Öykü Sofuoğlu, Flavia Dima, Nicholas Bell, and Jordan Cronk discuss: FATHERLAND PARALLEL TALES THE DIARY OF A CHAMBERMAID ALL OF A SUDDEN moiree.transistor.fm/episodes/canne…
"I needed cinema as it is in order to enter and build a sort of future cinema. They're not mutually exclusive at all. I think it's a continuum: even if I shoot a live action thing next, I'm still going to be working fundamentally with choreography in space and rendering 3D space in 2D media. That’s sort of what it is." Speaking to @JordanCronk, artist-filmmaker James N. Kienitz Wilkins discusses THE MISCONCEIVED's fascinating metamorphosis from its live-action origins to 3D animation: mubi.com/notebook/posts…
Wherein I act as de facto BUTTERFLY JAM defender (✌️), plus others impressions from the first throes Cannes—with a couple of plugs for some new and old films I recently caught at @PlayDocFest and Jeonju. Thx @NicolasRapold! 🇪🇸 🇰🇷 🇫🇷 podcasts.apple.com/us/podcast/ep-…
James N. Kienitz Wilkins sits down with @JordanCronk to discuss his metacomedic, motion captured, Unreal Engine-powered latest film THE MISCONCEIVED. mubi.com/en/notebook/po…
For @mubinotebook, I spoke with James N. Kienitz Wilkins about his delirious motion capture millennial metacomedy THE MISCONCEIVED—and about a whole lot more related to the fraught state of American independent cinema. mubi.com/en/notebook/po…
Greetings from @PlayDocFest, which this year features retrospectives dedicated to Viola Stephan and Eduardo Coutinho and which has just recently posted to their Youtube a wonderful new interview with @rogerkoza and Jonathan Rosenbaum. (I swear he's awake.) youtube.com/watch?v=rU23uJ…
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