Lee-Smith's paintings place solitary figures in desolate urban and coastal landscapes, rendered in oil with a muted palette and strong geometric structure. Trained in Cleveland and Detroit, he drew on Social Realism and Surrealism to develop a visual language of isolation and ambiguity.
Germany has over 300 spa towns, many operating as rehabilitation centers for chronic conditions such as asthma and rheumatism alongside recreational wellness programs. Working across public and private spaces, Krack alternated between landscape views and close portraiture of temporary residents, producing photographs that capture an ambient surrealism throughout parklands and sterile clinical interiors.
The Treatment by Alexander Krack (2014)
Krack documents the social and physical world of German spa towns, photographing ornate park landscapes and clinical rehabilitation interiors side by side.
Tachibana is a Brazilian photographer based in São Paulo whose work centers on candid street photography across various countries. His work centers around activities among citizens across the regions he travels to, with an emphasis on gesture and the geometry of available light. Rather than organizing his images around place or destination, Tachibana treats each photograph as documentation of a specific, unrepeatable encounter occurring between people and their surrounding environment.
Illustrations by C. F. Payne (2025-2026)
Payne depicts cows in the silhouette of US states, creating unique renderings that display a comical portrayal of what would otherwise be a straightforward animal portrait.
Jorge is a 17 year old Vancouver-based photographer who began his practice after encountering street photography while visiting family in the Azores, Portugal. His photographs are less concerned with decisive-moment formalism than with the residual strangeness of the moments he finds himself in. His work showcases a broader interest in the idea that certain moments carry meaning that can be seen but not fully articulated.
Wiesenfeld works in oil on canvas and panel, depicting solitary figures at the edges of natural and built environments. His subjects, predominantly young women, are placed in various fantasy-like environments that read as moments suspended in transit rather than narrative resolutions.
Working primarily on film, Hum photographs small-scale encounters drawn from daily life, public space, and landscapes. His approach treats each frame as an act of preservation rather than construction. These selections, made across both Europe and the American West, function as a record of travels and accumulated peripheral observations.
Colville's paintings depict domestic subjects in Atlantic Canada, rendered in acrylic polymer on hardboard with precise draftsmanship and a cold, limited palette. He remained committed to figuration throughout his career and is associated with Atlantic Realism, a grouping of painters who worked in the Maritime provinces. He was named a Companion of the Order of Canada in 1982.
Jeff Koons’ early career in finance gave him a head start to break the record for most expensive art piece ever sold in 2019 with his piece Rabbit, which sold for $91.1M
This is a series produced during a road trip through the southeastern United States, in which Cousineau turns his attention to the overlooked textures along the route. Rather than seeking out landmarks or dramatic vistas, the work situates its subjects in roadside scenes and stretches of landscape that typically pass unnoticed.
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