Diego 💚🧡💜 @dasnet2002

No me parece casual que Bonnie Tyler, autora del Himno Nacional Argentino, se nos fuera el #9DeJulio, día de nuestra Independencia. D10s obra de maneras misteriosas.

@soldanisman Dicen que es buenísimo, que se puede emparchar

Lo que más me quema es que después del lío de los jugadores por Copa América, el ÚNICO que saltó a defenderlos fue Bielsa. Mientras FIFA sancionaba, ni la AUF, ni la Mutual, ni el periodismo, ni Valverde, Suárez o algún referente dijo algo para defender a los suyos. Solo Bielsa.

Isabelle Adjani on playing psychologically complex characters & the difference between working in French & American productions: "Adjani: For me, there is no difference, for in both cases I remain myself. But as American budgets are more important, everything is in proportion and much more hierarchical, with a star system that, basically, exists only here, and that brings along constraints and a discipline unknown on European sets. In Europe, there are, even for a star, limits that can't be exceeded, or one risks being rejected by the crew. Here, the crew is really a proletariat in service of the star system, a system that functions like a true dictatorship and that no one, by the way, seems to challenge. No one says no, no one says stop. It's very strange. Interviewer: Do you still feel yourself a stranger in Hollywood? Adjani: Actually, no. It's something I felt deeply at first, but no more now. Maybe I also have a different perception of myself. I feel more relaxed, in every sense of the word, more at ease in an industry of which I now am a part and of which I now know the language better. Integration does not only come from others. I do not consider myself a Frenchwoman, or a European, but an actress. Interviewer: In France you are a star. Here you are known, but people have not seen most of your films... Adjani: That anonymity is very liberating. I love it, for I can do what I want. Here, for an actress, the recognition of the profession hinges on one or two films. That are successful, preferably... Interviewer: You have played many psychologically complex roles. Are you still attracted by that type of character? Adjani: It happens that I like the fate of women, and there's always a tragedy in the life of a woman. There's always a dramatic road to make her femininity bloom. As much as I do this work, that much I can express what touches me. It's true that I have mostly a recalcitrant temperament. It's a natural attraction, but not an exclusive one." (Isabelle Adjani's interview with Cecilia Peck, 1996, translated by Marcel Durieux) P.S: Happy 71st birthday, Isabelle Adjani! Clip from: One Deadly Summer (1983) Director: Jean Becker

ARAMBURU Y ROJAS CONDENADOS POR DELITOS DE LESA HUMANIDAD POR LOS FUSILAMIENTOS DE JOSÉ LEÓN SUAREZ Hoy es un día distinto: 70 años después hubo justicia por los fusilados en José León Suárez y por sus familias. Sentí gran emoción en la lectura del fallo de parte de la jueza federal de San Martín, Alicia Vence. El reconocimiento de estos hechos ocurridos el ocurridos el 9 de junio de 1956 durante la dictadura militar como delitos de lesa humanidad es un avance histórico en la lucha por la memoria, verdad y justicia. Mi reconocimiento para Alberto "Pepe" Palacio, abogado representante de los familiares de las víctimas y director de @secundariaUNSAM y a toda la Comision por la Memoria de San Martin @CPMemoria, y a Carmen Celis, del Comité para la Defensa de la Salud, la Etica y los Derechos Humanos (@codesedh), y para Norberto Liwsky @NLiwski, un prócer de los Derechos Humanos en la Argentina.

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@cremetoursBA Muy a lo Ney Matogrosso

@BoomertarianN 100% true. Even in the hands of Corel

We don’t want to steal last night’s Messi hat trick (and 3–0 win…) spotlight, but we’re reprinting the Argentina ’78 World Cup Signage Standards Guidelines and we think y’all might want a copy ⚽️⚽️⚽️ flechabooks.com/worldcup

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Estamos todos de acuerdo que la propaganda IA del diego de #betwarrior es lo peor del mundo mundial?

Queremos anunciarles nuestras próximas incorporaciónes...Nos habíamos olvidado que teníamos un Pen Drive con criptomonedas 😂

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🌹Sacá tus entradas para ver a Isabelle Adjani en la Lugones Cuatro largometrajes protagonizados por la gran estrella del cine francés, que este año cumple 70 años de vida y 55 de carrera ininterrumpida en la gran pantalla.📽️🇫🇷 🎟Conseguí tus tickets: complejoteatral.gob.ar/ver/Breve-encu…

👉Conocé los títulos: • La historia de Adela H., de François Truffaut (1975) •Possession de Andrzej Zulawski (1981) •Ishtar, de Elaine May (1987) • La reina Margot, de Patrice Chéreau (1994) 📅 Funciones del 11 al 24 de junio. + info y programa: complejoteatral.gob.ar/ver/Breve-encu…

@Danelsteven @goriladepilada Te falta barrio grafa, el que está por parque Sarmiento y el más grande de capital, los perales, en mataderos. Todos durante la primer presidencia. Ciudad evita ya se hizo con la fundación.

Imagine seeing this in 1971. The theatre lights fade away and then you're smacked in the face by an orange screen and a synthesized sound you have never heard before or could ever imagine.

@iaxcanti @Fabiancrush @Lenchu77 perdon, pero estoy en la situacion de estudio, que me conviene hacer?

Possession (1981)

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they could never remake this… they could never come close to this..

@JoannaStern I've been using Microsoft Outlook for a while now and haven't had a single problem. With the Mail app, I have to constantly rebuild Spotlight.

@maxifirtman Se puede hacer con VPN?