jamaica@jamaica @devonfierce

@masculinmanx My birthday is 21st August. Normal day for me. Spot on with those four observations

MAN TO MAN 4 Sad Truth About Men Who Treat Their Birthdays Like A Normal Day.

After being struck, she said: “You can’t punch me in my face.” Trooper Arellano responded: “Says who?” She repeatedly asked for help and to call her mother. Alisa is a daughter. She is a young woman. She is a human being. Too many times, we have watched routine traffic stops involving young Black people end in excessive and unnecessary force—or worse, with lives taken. No one should have to fear being physically assaulted, harmed, or stripped of their dignity during a traffic stop. Encounters with law enforcement must be grounded in professionalism, restraint, and respect for human life. This should never have happened. Alisa Hackett deserves justice and full accountability from the Arkansas State Police. 🎥: Arkansas State Police dashcam footage via NEA Report

Law Roach brings a fact to the table: “The biggest way that you can change somebody's life is to change their life financially. When people say like, oh, you have an event, oh, I'm going to come support you. But if you're not buying a ticket, you're not supporting me. If you're not buying the book [Law released his book ‘How to Build a Fashion Icon’ back then in 2024], you're not supporting me. You're just showing up and being a face in the crowd. It's not support. I'm going to show up for Black people however and whenever I can.”

keyboard_arrow_left Previous keyboard_arrow_right Next

@TrayvonRae Both really hot and beautiful

Body Language — Trayvon Rae❤️ From the album Heartbeat — out now. Stream Trayvon Rae: solo.to/trayvonrae © 2026 Trayvon Rae. All original songs. All rights reserved. #BodyLanguage #TrayvonRae #Heartbeat #RnBMusic #SoulMusic #SlowJam #RomanticMusic #OriginalMusic

@TEBJR811X0 @Mr_Husky1 Erwin Bach was German and they married in Switzerland. Oprah attended the wedding. That narrative still exists.

On July 3, 1976, Tina Turner waited until Ike fell asleep in their Dallas hotel room. Her face was swollen from another beating. In her pocket, she carried thirty-six cents and a Mobil gas card. That was all. Tina slipped from the Statler Hilton and ran into the night. She had no car waiting. No friend nearby. No carefully prepared escape plan. She crossed Interstate 30 on foot, weaving through traffic and narrowly avoiding a truck. On the other side stood a Ramada Inn. The manager recognized her despite her injuries. He gave her a room, placed security outside the door, and allowed her to hide while her body began to recover. For the first time in years, she was safe. Three weeks later, Tina filed for divorce. After sixteen years of marriage, she asked for almost nothing. No house. No money. No royalties. She wanted only one thing. Her name. “Tina Turner.” Ike had created that name as part of the act he controlled. Tina reclaimed it as the foundation of the life she intended to build. She walked away carrying debt, tax problems, and an uncertain future. The music industry considered her finished. She was approaching forty, had little control over her earlier recordings, and was trying to begin again in a business obsessed with youth. Tina refused to disappear. She practiced Nichiren Buddhism and chanted daily for strength. She accepted almost any work offered: television appearances, hotel lounges, county fairs, and small corporate events. The stages were far removed from the arenas she had once filled. Still, she performed as though every audience mattered. Piece by piece, she rebuilt herself. Then came 1984. At forty-four, Tina released Private Dancer. The album became a global success. “What’s Love Got to Do with It” reached number one. Grammy Awards followed. So did major tours, films, and the recognition she had earned on her own terms. The woman dismissed as a has-been became the Queen of Rock and Roll. Her second career lasted for decades. She sold millions of records and filled stadiums around the world. She also found a gentler love with Erwin Bach, whom she met in 1986. Years later, when Tina suffered kidney failure, Erwin donated one of his kidneys to save her life. Tina died peacefully in Switzerland in 2023 at eighty-three, with Erwin beside her. Her legacy is larger than music. It is the story of a woman who escaped with almost nothing and discovered that almost nothing could still be enough. Thirty-six cents. A gas card. A name. And the courage to cross the road. Tina Turner proved that starting over is not reserved for the young. Sometimes a life begins again the moment you finally run toward yourself.

@S6lb_ This wasn't an insult. The man simply read a passage from the bible where Jesus refers directly to so called Jews. You ask us to support Palestine but you side with them to protect the lie. The bible called this union a "Crafty council against thy people"

The first NAACP official ever killed for civil rights work was taken from his home AT NIGHT by the police. Elbert Williams. Brownsville, Tennessee. June 1940. He and a small circle had begun organizing Black voter registration in a county where no Black citizen had voted in decades. One night, officers including the town's night marshal, came to his door and took him away in his nightclothes for "questioning." His body was found in the Hatchie River three days later. He was buried within HOURS, in haste, without an autopsy. No inquest worth the name. The Justice Department opened a file and quietly closed it in 1942 without a single charge. Elbert Williams' name deserves to be remembered, not as a footnote, but as one of the first martyrs of the modern civil rights movement. His story is one of many that never received justice. Our book documents 150 real cases of racial violence, cover-ups, and unanswered injustices that history has too often overlooked. Get your copy and help preserve the truth for the next generation savvypurchase.samcart.com/products/150-c…

Lauryn Hill and Wyclef Jean delighted fans with a surprise performance in London's Piccadilly Circus, delivering an impromptu a cappella rendition of the Fugees classic Ready or Not beneath the iconic Piccadilly Lights.

This is the kind of history that Trump doesn't want you to know. He would probably label this as inaccurate. #history #facts #trump #blackhistory

Aretha Franklin and Sam Cooke (1959)🩶

@dave24144975 No this is white working class youth. They've always been drawn to Black British culture. You clearly have no idea

@gxbrielalmeida I don't understand ....

Being Jamaican is the greatest privilege our vibe one of a kind 🇯🇲🇯🇲🇯🇲

On April 22, 2018, James Shaw Jr. walked into a Waffle House in Antioch, Tennessee, expecting nothing more than breakfast. Minutes later, g*nfire erupted inside the restaurant. Four people had already lost their lives, and the g*nman was still carrying an AR-15 style rifle. Most people would have run. Shaw made a split-second decision that changed everything. Unarmed and acting purely on instinct, Shaw charged the g*nman. He grabbed the rifle by its burning hot barrel with his bare hands and fought to take control of the weapon. His hands were badly burned, but he refused to let go until the rifle was out of the attacker's hands. The g*nman fled, and Shaw's extraordinary courage almost certainly prevented even more innocent people from being k*lled. The country praised him as a hero, but Shaw never accepted that title. He said he was simply trying to survive and protect the people around him. Instead of seeking fame, he launched a fundraiser that collected more than $200,000 for the victims' families. He continued speaking about healing, kindness, and supporting communities affected by violence. Today, the headlines have faded, and many people no longer remember the man who risked everything for complete strangers. But courage like James Shaw Jr.'s should never be forgotten.

What the right wing press does not tell you. #drought #danube #climatecrisis

@lefty_deniro81 they've found these civilizations in Antartica but America and Britain control access blocking African and Caribbean nations from entering. They do not want black people to see what's there.