. @muntteee

Cleveland Joined December 2013

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11K
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Following

238
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108K

ESPN @espn

12 years ago

It's official. LeBron James is headed home.

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Cleveland Cavaliers @cavs

10 years ago

Believe it, Cleveland. #OneForTheLand

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The 73-win Warriors entered the Finals as the winningest team in NBA history, while Cleveland carried a 52-year championship drought. On this day in 2016, Cleveland completed the first 3-1 comeback in NBA Finals history, winning three straight to capture its first championship 🏆

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dennis @noribsnorice1

2 months ago

I get fans are mad but the browns actually did the right thing imo

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LeBron James @KingJames

14 years ago

Well at least i can always fall back and watch SpongeBob Squarepants.

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ESPN Cleveland @ESPNCleveland

4 months ago

HAPPY DRAFT DAY CLEVELAND! @TheRealTRizzo @HammerNation19

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Chase @chasekr8

4 months ago

Carter Rodriguez @Carter_Shade

4 months ago

Cavs starters with Wade have a +44.9 net rating in 18 minutes so far

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Cleveland Cavaliers @cavs

4 months ago

We're not **C**** around, Cavs fans. Tonight's a stripe out and we're going to set the standard. Wear. The. Damn. Shirts. #LetEmKnow

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Daryl Ruiter @RuiterWrongFAN

4 months ago

Here’s the exchange. Btw, the cut still looks fresh, coach.

Daryl Ruiter @RuiterWrongFAN

4 months ago

Todd Monken on receiving criticism for missing the coaches photo at NFL owner's meetings because he was getting a hair cut. "I don't give a shit." #Browns

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Anish Moonka @anishmoonka

5 months ago

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Daryl Ruiter @RuiterWrongFAN

4 months ago

Todd Monken on receiving criticism for missing the coaches photo at NFL owner's meetings because he was getting a hair cut. "I don't give a shit." #Browns

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. @J0nesToChina

5 months ago

The Browns being the ones to propose this is like the gambler coming back to the casino right after they lost the house

Adam Schefter @AdamSchefter

5 months ago

The Cleveland Browns submitted a rule that would allow teams to trade draft picks five years out instead of three.

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dennis @noribsnorice1

5 months ago

Stefanski and Tua lmfaooooooooooo

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Football Crave @FootballCravee

5 months ago

The Browns GM Andrew Berry thought free agency wasn't till Wednesday. No moves expected from Cleveland.

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. @muntteee

5 months ago

Cleveland Cavaliers @cavs

5 months ago

Okay, first of all.. first of all... Happy... Happy Women's History Night. 🧡 It's Women's History Night presented by @AveryDennison and we're celebrating @clevelandwnba with a new PFP! #TogetherStartsNow | #LetEmKnow