In Review Online @InRO
Film writing; Subscribe to our Substack for our bi-weekly newsletter & exclusive features: https://t.co/ZJo3nOanLB inreviewonline.com New York, NY Joined February 2009-
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our first dispatch from the 2026 New York Asian Film Festival: inreviewonline.com/2026/07/22/nya…
'Admittedly, getting into Her Private Hell takes some work, but it’s the type of demanding viewing that pays to the benefit of willing viewers. For once you have fully embraced the mist, you will see that Refn’s rentrée to cinema is one of the rare works that infuses the visceral excitement of pulp with the sanctity of high art.' inreviewonline.com/2026/05/18/her…
'One of the strongest arguments for pro-shots is accessibility. Theatre tickets — especially for big-production musicals — have gotten to be prohibitively expensive, and good luck if you’re even able to make the trek to Broadway or a limited-run tour stop. For the curious, Hadestown is certainly worth your time in any form. It’s a romantic musical — without a hint of irony — about trust vs. self-doubt, the things that can and can’t be changed (and the wisdom of knowing the difference), and how women fall into the shadow of men seeking greatness. It is unfortunate, though, that the filmed version is uninterested in filming techniques best suited to the show.' @DaniellaMazzio reviews Hadestown: inreviewonline.com/2026/07/24/had…
'What’s happening with Japan and the film industry that we really couldn’t see an emerging next generation following my own? As a film worker myself, I really notice how bad the situation is. It’s also my responsibility to try to do something to improve it. That’s for the sake of not just the Japanese industry, but also the film industry overall and for myself. Because when there are young, exciting filmmakers, they stimulate me and I also learn a lot from them. So it’s important for me to try to nurture the next generation for that reason.' @BrndnStrssng chats with the great Hirokazu Kore-eda on the release of his new Sheep in the Box: inreviewonline.com/2026/07/24/pas…
'The algorithm is based on good taste. Good taste is the enemy of everything. So, I think it’s very important in this day and age — where because of technology, there are so many layers of control around us — that we need to be able to break free. And the reason why people are detached so easily is because if everything is just made by an algorithm, essentially, or most of it, then why should we care? I wouldn’t care. Why would I expect my kids to care? However, if you create with the heart, it’s almost like, “don’t give them what they want. Give them what they desire.” @MikeThornWrites sits down with NWR for a wide-ranging conversation about Her Private Hell: inreviewonline.com/2026/07/23/goo…
With the upcoming release of her debut feature LOST CHAPTERS, @BrndnStrssng sat down with Venezuelan filmmaker Lorena Alvarado. At the @InRO substack, they discuss everything from national history, memory, and the challenges of filming in her home country's capital. Link below!
"In a whisper, not a scream." @BrndnStrssng interviews Venezuelan writer-director Lorena Alvarado for @InRO on her debut feature LOST CHAPTERS. A @NDNF selection opening at the @IFCCenter tomorrow Friday, July 24 inreviewonline.com/2026/07/22/in-…
🚨 My review of this summer's BIGGEST cinematic take on Greek myth.... that's right, HADESTOWN: THE MUSICAL! For @InRO, I get a little sassy about the low bar for pro-shots. Still a great musical, tho! inreviewonline.com/2026/07/24/had…
I interviewed the great Nicolas Winding Refn for @InRO. We discussed his lushly abstract new film, HER PRIVATE HELL, as well as fantasy, the unconscious, and much more. inreviewonline.com/2026/07/23/goo…
Anyways everyone should watch THE CURRENTS
one of the great American films of the 21st Century, cannot fully articulate his much I love this movie. Fire up the Numb/Encore and melt into Mann’s sensual images tonight. Time is luck everyone.
Michael Mann's 'Miami Vice' premiered 20 years ago today.
As good of a time as any to promote the latest 'AnotherLook' podcast, which is our 100th (!!) episode! We're talking Miami Vice (2006) 🚢 💃 open.spotify.com/episode/5g7NDt…
Michael Mann's 'Miami Vice' premiered 20 years ago today.
The first trailer for ‘AVENGERS: DOOMSDAY’ has been released. In theaters on December 18.
You can read about virtually all of these movies at InRO, check us out! inreviewonline.com
'True to its title, The Isolate Thief immediately underlines the loneliness of its setting, with cinematographer Will Stone capturing all the frigid details of the mountains in a cool, blue-tinged palette, enveloping the proceedings within a chilly, ominous atmosphere. At first, there’s just Ada and her handful of pigs in these environs, but it’s established quickly that this young woman is not completely helpless...' inreviewonline.com/2026/07/16/the…
Hot off the press, it's the latest @InRO newsletter! I briefly dip a toe into the "anti-art" format discourse, and shower you with new reviews, interviews, and festival dispatches. Read and subscribe! api.omarshehata.me/substack-proxy…
'American Pachuco: The Legend of Luis Valdez, from director David Alvarado, follows Valdez’s life from the early ‘40s (when both Valdez and Richie Valens were born into farmworker families) through La Bamba — the same era of the rise and fall of Spanish-language cinemas. Those coming into the documentary expecting a boilerplate filmmaker retrospective might feel lost then when so little of the film is actually devoted to the director’s most famous work and no time is dedicated to the decades that would follow; but American Pachuco isn’t about Luis Valdez, filmmaker, but the rapidly changing cultural experience of Mexicans in America and Valdez’s role both as a witness and leader during this particular time.' inreviewonline.com/2026/07/17/ame…
Japan Cuts 2026 is almost over, but we're checking in with coverage of some highlights from this year's festival: inreviewonline.com/2026/07/17/jap…
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